Elizabeth Foundation for the Arts Culminating Residency Exhibition

A look at 2 of the 9 works (Abankɛseɛ 1” and “Ɔhene“) that will be displayed at EFA this summer!

Trophies of War: Kingdom of Light”

A trophy is a small monument serving as a symbol of a victory.  Trophies have been used to denote accomplishment since ancient times, and the word has been part of the English language since 1550, translated from trophée in 1513, called “a prize of war” with that prize serving as a monument of triumph. The word stretches back to the ancient Greek term: tropaion which refers to arms, property, or human captives and body parts, such as head hunting practices and other materials captured in battle. These war trophies commemorated the military victories of a state, army or individual combatant. Historically, human life and culture has been used as collateral for prestige and honor by the conquerors. 

I would like for audiences to reflect on the trophy and what it symbolizes. Many in our country have pride and identity tied to our nationalism (American Exceptionalism) without realizing or acknowledging that the colonial and imperialist history that lead to our present standard of living. This pride comes from a sense of meritocracy, with the “western” world having established a standard for living that other countries aspire to attain. Many immigrants move here with hopes to start a better life and internalize pride to be U.S. citizens. We all take advantage of the luxuries that “developed countries” have to offer when given the opportunity to indulge them, though I want to interrogate the trophy to shine a light on its history and purpose, specifically for the Black and POC communities.  I would love to push for my audiences to question what has value and why it has been endowed with such power. As individuals, we have the free will to denote what is valuable, and I hope that this series inspires questions and fosters pride in their various indigenous histories.

 

Final Victory

Acrylic on breeze blocks, glass, digital collage print presented at ArtCrawl Harlem on Governors Island

On the global stage of conflict, individuals are often reduced to pawns, or symbols of potential victory to be claimed. Civilians become human shields for those in power: royalty, religious leaders, and military figures, all protected by layers of defense. In the game of imperialism, everyone becomes a target.

Once removed from play, these figures are transformed into captives, or trophies displayed to demoralize the defeated. This concept was central to my previous work, Don’t Forget to CHECK!, exhibited at ArtCrawl Harlem in 2024.

Final Victory continues this narrative, presented as a singular object that embodies the legacy of violence while reclaiming cultural identity. It transforms a symbol of conquest into one of resistance and resilience.

On a personal level, this work reflects my own journey of reconnecting with my African heritage through my Grenadian roots. That path of discovery inspired travels across Africa’s five regions: North (Morocco), West (Ghana, Togo, Benin, Nigeria), Central (Rwanda, Uganda), East (Kenya), and South (South Africa) as part of my Acacia series.

This piece bridges my Trophy series, which explores the impact of slavery and colonization, with the Acacia series, which celebrates the survival and richness of indigenous cultures throughout the African Diaspora. Final Victory specifically honors the Caribbean (represented by Grenada), where these traditions continue to endure and evolve.

The Champion

Trophy pieces, foam mannequin head, wood, mixed media

Collaborative work by Zac Landsberg and Dario Mohr presented at Open Source Gallery. This was funded by the Greater New York Arts Development Fund of New York City Cultural Affairs, administered by Bronx Council on the Arts.